Philip Glass is a living national treasure. Many of his projects innovate in strange ways. Likewise, The Atlanta Opera (TAO), under Tomer Zvulun’s direction, has displayed a knack for enticing opera audiences in novel fashions. This has included a run of “La Bohème” interlaced with its heir “Rent,” seen last year, and a slightly operatic presentation of the Broadway musical “Fiddler on the Roof” in collaboration with Atlanta’s Alliance Theatre only last month.